First Paintings of 2019

I spent the first day of the year working on my my art, my hope was to start the year by finishing a painting. I felt like it would have been a good sign of an artistically productive year ahead. I did not finish one that day, but I am happy to report that I finished several last night in time for them to be taken to the Sautee Nachoochee Center today for the next show. Three new pieces in the first half of the first month of the year seems like a good start.

Dawn over Chaos, Acrylic on Canvas, Jan 2019, $475

The first two pieces are part of the Painting Eyeballs on Chaos series I have been working on. Though I have been slowly reading my way through Dogen’s essays I still have not gotten to that passage yet. I find the reading difficult, but it feels important to me to see the phrase in its original context. There is more I need to understand about it. I think I have just barely scratched the surface of what I feel like I need to learn. I already have a new board on the easel with some more eyeballs and chaos starting to get roughed in. This series may go on for a while.

Contemplated Commute (Sunrise), Mixed Media on Paper and Frame, Jan 2019, $375

I started the largest painting (Dawn over Chaos) on Christmas in my normal way, drawing in a basic design and then adding solid colors one by one, but before I got very far I had some technique conversations with the illustrious Anthony Coffey. I asked him about how he layers his colors and gets such a nice glow to them. He shared some of his secrets with me that I decided to start experimenting with right away. I took “in progress pictures” all along and the first three (in the gallery below) are my usual technique, then the next three show his influence. The final paintings do not differ hugely from my normal work, but I do think they may glow a bit more. I am going to continue to play with this new way of “glazing” and see where I can go with it.

The last whimsical little piece is more of a drawing than a painting. I have been trying to revisit meditation, but so far blankness of mind has alluded me. The contrast between the calm position of the hand and the swirling mass of colors around it was supposed to be about that, but once my children pointed out that it looks like a picture for the Circle Game I had a hard time continuing to take it seriously. The audience at the SNCA will probably see it as a mudra, but if it ends up hung in the tattoo shop all anyone there will see is the meme.

Moment in Chaos, Mixed Media on Board and Frame, Jan 2019, $140

Border Wall

Border Wall, Mixed Media on Wood Panel and Frame, March 2018

“It had not occurred to her that they would choose different sides.”

 

 

 

I worked on this piece from October 2017 to March 2018 and took more in progress photos than usual. I think it is fun to see how it developed.

Flight Opportunity

Flight Opportunity, Acrylic on Canvas, October 2016Flight Opportunity, Acrylic on Canvas, 23″ x 31″, October 2016

I worked on this painting from April to October 2016. It has been shown at the Quinlan Art Center in Gainesville and the Sautee Nachoochee Art Center, but I just got it hung on the wall at my new house yesterday morning. It is now directly in front of me when I sit in the living room to drink my coffee in the morning to read and write. I have been spending a lot of time lately thinking about what the next step in my life should be, the reasons I might chose one path or another, and the validity of those reasons in the grand scheme of things.  The most recent work I have been doing has been trying to face the decisions and the emotions that come along with them head on. But somehow this painting brought me to realizations that the others had not.

The symbolism is not obscured. One does not need to be an expert in art interpretation or psychology to see that the figure in the picture is lost deep in the tangle of vegetation, smothered but still making an effort to reach out towards the clearing. Though the little bird may have an opportunity to take flight, at first glance it seems unlikely the hidden figure will. I think the case could be made that a sacrifice has been made to give the little bird a chance.  The fact that I know that underneath this painting is the last self portrait I attempted before moving to Mexico literally adds another layer of meaning. Even though the years of marriage and children have covered up who I once was, I like the new painting better than the old one. I do not wish to move backwards. If by chance someone should climb up out of the tangle I would not want it to be the same person who got covered up to start with.

Perennial Possibilities

Perennial Possibilities by Jennifer Herrera, Acrylic on Cutting Block
Perennial Possibilities, Acrylic on Cutting Block

 

 

First Sketch/Doodle
First Sketch/Doodle

My father, Noyes Capehart, has a page on his website called Thematic Variations where he states,

“It is one of the great lessons from the art of the past: the first response to a picture idea – the same could be said of a piece of music or a story – may not reveal its essence. One need only look at Monet’s impressive output of water lilies, or Morandi’s tireless efforts to capture the mystery of bottles, or Picasso’s insatiable curiosity with Manet’s Luncheon on the Grass to see that the first solution is not always the strongest. Beethoven fashioned no fewer than three variations of the overture to his Leonora, and Tolstoy was making changes with War and Peace as it went to press. I think of a variation in much the same way that I consider an artichoke; the outer, tough leaves have to be peeled away in order to reveal the delicious heart.”

Coloring Book Page The revisiting I have been doing of the image ‘Perennial Possibilities’  does not find itself in the same category as the master works that he mentions, but I still find it interesting to look at the different ways I have worked with the same blooming face and swirls over the past few months.

The image started as a work day doodle on the back of a report right as I was getting ready to start fColoring Book Coverocusing my attention on creating my Curled, Whirled and Twisted coloring book. The doodle actually ended up being the start for two separate coloring pages as well as the principal image I used for the cover.

Since the coloring book’s completion I have been refocusing on my painting. I have finished three small paintings this month, one of which is an acrylic on chopping block version of Perennial Possibilities. I thought I was done with the image until I started putting this post together. Now I am wondering if I should revisit it yet again and see what else might evolve.

Planning for the Moon

My coworkers are incredibly supportive when it comes to my artwork. I don’t think anyone finds it odd anymore that my brain does its best work trying to figure out the logic behind a report while my hands are doodling swirls and birds and such. A few especially nice folks have even left me little notes with doodles that made an impression on them which always makes me smile.

Most of my work doodles are the kind that happen when I am thinking about something else. They start with a little flower or a swirl and slowly grow through out the day or even the week. Some are better than others. I have plenty that are easily forgotten and also a few that turn into full size paintings or pages in a coloring book. But the other day I was not just doodling. I was sketching an idea for a painting for my sister’s birthday. I knew basically what I wanted to do, but I was not sure about the composition, so while waiting for data to refresh I was trying out different placement ideas. I then got up to get more coffee or something.Infinity Moon Sketch

I knew it was not the kind of drawing someone would stop to look at, so I had no idea why when I came back to my desk several people were gathered around looking at my notebook. They were also shaking their heads and talking amongst themselves. When I got closer they asked my if I was okay and if while I had been sick I had “lost it.” And by “it” they meant my artistic ability. I made an attempt to explain I was trying out a new idea, but they didn’t seem to be buying it. So this post is to show them the finished piece in hopes of redeeming my poor little sketch. I feel like it did its job even though it wasn’t a glamorous one.

This little painting (8×10″ on paper) is a bit different from what i normally do. My sister Rachel, who turns 35 today, has always loved and repeatedly used the phrase, “I love you to the moon and back,” so this is my rendition of it for her, cause I love her to the moon and back and back and back, to infinity if you will.

Rachel's Picture - Love you to the Moon and Back
Rachel’s Picture – Love you to the Moon and Back